Welcome to the website of Janine Ashbless. I'm a writer of fantasy and paranormal erotica and - more rarely - scorching romantic adventure. I like to write about magic and myth and mystery, dangerous power dynamics, borderline terror, and the not-quite-human. And hot filthy sex, obviously...

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News:

In Bonds of the Earth

Romance Novel: Second in the Book of the Watchers trilogy

I'm so excited that the second in my fallen angel series, In Bonds of the Earth, is soon to be released! March 2017 is the date!

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To my absolute delight I am immortalised on the "Islands of Erotica" in the Map of Literature by artist Martin Vargic. You should so buy this awesome best-seller of a book!

I will be attending Eroticon 2017, on the 4th-5th March 2016 in London.

Recent Publications:

Falling Deep

Erotic Novel: Second in the Lovers' Wheel quartet

Coming Together in Verse

Three Poems: On Erotic Vocabulary, Minotaur and Song for Whoeveryone

Libidinous Zombie

Short Story: The Sorcerer's Apprentice

Cover Him with Darkness

Romantic Novel: First book in The Watchers trilogy

Latest Blog Post

The Archangel Lucifer

Yesterday I went to the city of Birmingham (UK) - not a place normally at the top of my wish-list, I admit. But I wanted to see Epstein's The Archangel Lucifer, which is prominently displayed in the City Museum and Art Gallery.


It is a truly spectacular bronze, with an interesting back-story. Jacob Epstein, one of the most important sculptors of the 20th Century, cast it in 1945, inspired by the proud Lucifer described in Milton's Paradise Lost. He reputedly used a male model for the body and a female one for the face, giving at an androgynous aura. It has a fine, fine ass!


But it was instantly controversial, not least because it is rather obviously well-endowed. Epstein considered the sculpture his finest work at the time, but couldn't sell it at exhibition. He tried to give it away to the V&A Museum and then the Tate Gallery in London, but neither wanted it. The Mayor of Birmingham stepped in to ask for it if it was going begging and it was duly gifted to what was frankly a provincial industrial city with little cultural status.


The BMAG remains slightly embarrassed about this artistic windfall. You'd have to hunt hard for any depiction of the statue on their website, despite the fact that it dominates the Round Room at the top of the main stairs. There is no souvenir of it on sale in the shop - not even a postcard.

Luckily they do let you take photos :-)